Once the artifacts were preserved, the decision was made to exhibit them. When I went to see the exhibition, the photo of the young couple at their wedding ceremony, surrounded by their excited family, immediately caught my eye.
This is how I described the photo: “A photo of a bride and groom at their wedding ceremony. The rabbi is holding the groom’s hand, and the bride is clutching a bouquet of white flowers. The excited guests, apparently family, can be seen behind them looking up. My parents have a picture exactly like this … Do any of the readers recognize the people in the photograph above?”
“It’s a picture of my parents,” Dor told Al-Monitor, “but its provenance might disappoint you. It wasn’t taken in Iraq. It was shot in Ramat Gan [Israel], at the Kehilat Yesharim synagogue in August 1959, eight years after my parents immigrated to Israel.”
Yair’s father, Moshe Dor (Shohet), now 87, arrived in Israel from Iraq as part of Operation Ezra and Nehemiah, an Israeli-organized airlift that brought many members of the Iraqi Jewish community to Israel during 1950-52. He enlisted in the army and served in the Communication Corps, first as a soldier and then as a civilian contractor, until he retired at age 65. His wife, Rina, nee Aziz, had immigrated to Israel before him. They met in Israel and settled in Ramat Gan, which absorbed more Iraqi immigrants than any other city in the country. Rina worked for years as the secretary of Na’amat, the women’s organization affiliated with the Histadrut, until she retired. The couple had two children. Yair, the eldest, was a career soldier in the Israel Defense Forces who retired from the army with the rank of lieutenant colonel.
“My father was the first member of my family’s second generation [those born in Israel] to get married,” Dor told Al-Monitor. “One of my grandmother’s sisters flew to Istanbul to meet my father’s uncle, who stayed in Iraq after almost all of the community had immigrated to Israel, in 1951. She brought him the photo from his nephew’s, my father’s, wedding. That uncle took the photo back to Baghdad with him. The picture must have made its way to Saddam’s cellars after the Iraqis seized all Jewish property. That is our theory.”
Dor said that neither he nor his family knows from which family member in Iraq the photo was taken. “This picture hangs in my parents’ house, but also in my house and in my sister’s house too. It is the icon on my cell phone, when my parents call. Of course, we were surprised to see what happened to it. It’s a strange story, ” he said. “We knew that the Iraqis seized all sorts of documents [belonging to Jews], but no one would ever have expected to find it among those documents. It has absolutely no value in terms of intelligence. Its only value is sentimental.”
The government of Iraq and the National Archives are still engaged in a heated debate over who actually owns the Jewish archive. The Iraqi government insists, through its ambassador in Washington, that the archive must be returned to Iraq. The Iraqis claim that an archive telling the story of a community that lived in Iraq for centuries should be in the land of the Tigris and Euphrates and displayed at the Iraqi Archives for the public’s benefit. There are, however, no Jews left in Iraq. The last members of the community to leave were Yair Dor’s relatives. One uncle, Elias, immigrated to England in the early 1970s. A second uncle arrived in Israel in 2000.
Maurice Shohet, son of Elias Shohet, now serves as president of the World Organization of Jews from Iraq, based in New York. Obviously, the Iraqi Jewish organization is opposed to returning the archive to Baghdad. In addition, Maurice Shohet contends that the wedding photo of Dor’s parents was exhibited by mistake. He claims it was part of a photo album of his childhood in Iraq, which he donated to the National Archives.
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